Bag of Bones (Mass Market Paperback)

Bag of Bones is partly inspired by Daphne du Maurier's classic Rebecca, but there's more than homage in this novel of horror and romance. Like du Maurier's Manderley, King's scary old place (on the shore of Maine's remote Dark Score Lake) is haunted by the late lady of the manor. There are many gory ghosts afoot, though: men, women, and wailing kids. The hero, a thriller novelist, stirs up hell's plenty of angry shades while investigating his wife's death. It turns out she either had a dark secret herself or was onto some dread scandal lurking in Dark Score Lake. As in King's previous book, Wizard and Glass, the fabric of reality is thin, and nosy narrators are in peril of plunging right out of this world and into a rather hostile otherworld.

Bag of Bones is a writer-haunted book, too. The spirits of Herman Melville and Ray Bradbury are deeply felt, and so are the tale's two romances (the hero muses on his marriage and falls for a young single mom with a marvelous, psychic daughter). There is also good-humored satire of the real bestseller book world--the hero complains that "the publicity process is like going to a sushi bar where you're the sushi." In its deep concerns with love, sprawling families, the writer's life, endangered children, and good old-fashioned storytelling, the book resembles a John Irving novel. It is also absolutely classic Stephen King, packed with nifty turns of phrase, irreverent wit, and lurid ghouls who grab you from beneath the bed while you cower under the covers. --Tim Appelo

Wolves of the Calla (The Dark Tower, Book 5) (Paperback)

"Time is a face on the water," stretching and contorting reality as gunslingers Roland, Eddie, Susannah, Jake and their talking pet "billy-bumbler" Oy continue their quest to prevent the destruction of the Dark Tower and, consequently, save all worlds from Chaos and the Crimson King's evil, red-eyed glare. Roland-the primary hero of King's epic tale, the first volume of which appeared in 1982-and company momentarily fall off the "Path of The Beam" to help the residents of Calla Bryn Sturgis, a farm town. But as Dark Tower fans know, everything follows The Beam, so what looks like a detour may really serve the will of "ka" (destiny). Roland and his posse learn that every 20-odd years the "Wolves" kidnap one child from each set of the Calla's twins, bring them to the Tower and, weeks later, send them back mentally and physically impaired. Meanwhile, back in 1977 New York City (the alternate world of Roland's surrogate son, Jake), bookstore owner Calvin Tower is being threatened by a group of thugs (readers will recognize them from The Drawing of the Three, 1987) to sell them a vacant lot in midtown Manhattan. In the lot stands a rose, or rather the Rose, which is our world's manifestation of the Dark Tower. With the help of the Old Fella (also known to `Salem's Lot readers as Father Callahan), the gunslingers must devise a plan against evil in both worlds. The task, however, is further complicated as Roland and his gang start noticing behavioral changes in wheelchair-bound, recovered schizophrenic Susannah.As the players near the Tower, readers will keep finding exciting ties between the Dark Tower universe and King's other books, with links to Black House, Insomnia, The Eyes of the Dragon, The Stand, `Salem's Lot and Hearts in Atlantis. The high suspense and extensive character development here (especially concerning Jake's coming-of-age), plus the enormity of King's ever-expanding universe, will surely keep his "Constant Readers" in awe.
Copyright 2003 Reed Business Information, Inc.

The Breathing Method (Penguin Readers: Level 4) (Paperback)

From the world's bestselling novelist comes the third tale in the Different Seasons collection. In this masterful horror story, thirteen men gather in their gentlemen's club to hear the story of "The Breathing Method." And they will be forever transfigured by this terrifying story of a woman who was determined to give birth at all costs.

The Breathing Method is one of four novellas in a collection that includes The Shawshank Redemption and Apt Pupil.

Song of Susannah (The Dark Tower, Book 6) (Paperback)

There's something about a crippled, black, schizophrenic, civil rights activist-turned-gunslinger whose body has been hijacked by a white, pregnant demon from a parallel world that keeps a seven-volume story bracingly strong as it veers toward its Armageddon-like conclusion. When Susannah Dean is transported via a magic door on the outskirts of Calla Bryn Sturgis (the scene of much of The Dark Tower V: Wolves of the Calla) to New York City in the summer of 1999, the "demon-mother" who possesses her, Mia, has only one thing on her mind. She must give birth to her "chap" at a predetermined location in Manhattan's East 60s, as instructed by the henchmen-or "Low Men"-of the evil Crimson King. Pressed for time, Father Callahan, preteen Jake and talking pet "billy-bumbler" Oy follow Susannah and Mia's trail in an effort to prevent an act that would quicken the destruction of the Dark Tower and, in turn, of all worlds. Meanwhile, gunslingers Roland and Eddie travel to 1977 Maine in search of bookstore owner Calvin Tower, who is being hunted down by mobster Enrico Balazar and his gang, who first appeared in Eddie's version of New York in The Drawing of the Three Avid readers of the series will either be completely enthralled or extremely irritated when, in a gutsy move, the author weaves his own character into this unpredictable saga, but either way there's no denying the ingenuity with which King paints a candid picture of himself. The sixth installment of this magnum opus stops short with the biggest cliffhanger of King's career, but readers at the edge of their seats need only wait a few short months (Dark Tower VII: The Dark Tower) to find out how-and if-King's fictional universe will come to an end. 10 full-color illus. not seen by PW.
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Desperation (Paperback)

A notice to those who feel that Stephen King has lost his magic touch: Desperation is the genuine goods. The ensemble cast of ordinary Americans thrown together by chance, including a disgruntled alcoholic writer and a child who is wise beyond his years, may be a bit too familiar. But the nearly deserted Nevada mining town with an enormous haunted mine pit and an abandoned movie theatre where the survivors hang out makes for a striking battleground, and the grisly action rarely flags. Best of all, though, are the characters of Tak, the ancient body-hopping evil who emerges from the mine, and of "God"--whom the New York Times describes as "the edgiest creation in Desperation. Remote, isolated, ironic, shrouded behind disguises, perhaps 'another legendary shadow,' this deity forms a sly foil, and an icy mirror, to Tak."

Cell (Mass Market Paperback)

Witness Stephen King's triumphant, blood-spattered return to the genre that made him famous. Cell, the king of horror's homage to zombie films (the book is dedicated in part to George A. Romero) is his goriest, most horrific novel in years, not to mention the most intensely paced. Casting aside his love of elaborate character and town histories and penchant for delayed gratification, King yanks readers off their feet within the first few pages; dragging them into the fray and offering no chance catch their breath until the very last page.

In Cell King taps into readers fears of technological warfare and terrorism. Mobile phones deliver the apocalypse to millions of unsuspecting humans by wiping their brains of any humanity, leaving only aggressive and destructive impulses behind. Those without cell phones, like illustrator Clayton Riddell and his small band of "normies," must fight for survival, and their journey to find Clayton's estranged wife and young son rockets the book toward resolution.

Fans that have followed King from the beginning will recognize and appreciate Cell as a departure--King's writing has not been so pure of heart and free of hang-ups in years (wrapping up his phenomenal Dark Tower series and receiving a medal from the National Book Foundation doesn't hurt either). "Retirement" clearly suits King, and lucky for us, having nothing left to prove frees him up to write frenzied, juiced-up horror-thrillers like Cell. Stay tuned for more from the hardest-working retiree in the business with Lisey's Story, coming in October 2006. --Daphne Durham

On Writing (Mass Market Paperback)

Short and snappy as it is, Stephen King's On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You're right there with the young author as he's tormented by poison ivy, gas-passing babysitters, uptight schoolmarms, and a laundry job nastier than Jack London's. It's a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. "I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers, and girls in black bras who looked like trailer trash." But massive reading on all literary levels was a craving just as crucial, and soon King was the published author of "I Was a Teen-Age Graverobber." As a young adult raising a family in a trailer, King started a story inspired by his stint as a janitor cleaning a high-school girls locker room. He crumpled it up, but his writer wife retrieved it from the trash, and using her advice about the girl milieu and his own memories of two reviled teenage classmates who died young, he came up with Carrie. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolized his cocaine and booze addiction (overcome thanks to his wife's intervention, which he describes). "There's one novel, Cujo, that I barely remember writing."

King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer's "tool kit": a reading list, writing assignments, a corrected story, and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph, and literary models. He shows what you can learn from H.P. Lovecraft's arcane vocabulary, Hemingway's leanness, Grisham's authenticity, Richard Dooling's artful obscenity, Jonathan Kellerman's sentence fragments. He explains why Hart's War is a great story marred by a tin ear for dialogue, and how Elmore Leonard's Be Cool could be the antidote.

King isn't just a writer, he's a true teacher. --Tim Appelo

Roadwork (Paperback)

King mesmerizes the reader. (Chicago Sun-Times)

Lisey's Story: A Novel (Paperback)

Since his first novel was published in 1974, Stephen King has stretched the boundaries of the written word, not only bringing horror to new heights, but trying his hand at nearly every possible genre, including children's books, graphic novels, serial novels, literary fiction, nonfiction, westerns, fantasy, and even e-books (remember The Plant?). With Lisey's Story, once again King is trying something different. Lisey's Story is as much a romance as it is a supernatural thriller--but don't let us convince you. Who better to tell readers if King has written a romantic thriller than Nora Roberts? We asked Nora to read Lisey's Story and give us her take. Check out her review below. --Daphne Durham

Blaze: A Novel (Hardcover)

Written circa 1973, this trunk novel, as Bachman's double (aka Stephen King) refers to it in his self-deprecating foreword, lacks the drama and intensity of Carrie and the horror opuses that followed it. Still, this fifth Bachman book (after 1996's The Regulators) shows King fine-tuning his skill at making memorable characters out of simple salt-of-the-earth types. Clayton Blaze Blaisdell has fallen into a life of delinquency ever since his father's brutal abuse rendered him feebleminded. King alternates chapters recounting Blaze's past mistreatment at a series of Maine orphanages and foster homes with Blaze's current plans to follow through on a kidnapping scheme plotted by his recently murdered partner in crime, George Rackley. Blaze talks to George as though he's still there, and the conversations give the tale tension, with Blaze coming across as a pitiable and surprisingly sympathetic contrast to prickly George. Despite its predictability, this diverting soft-boiled crime novel reflects influences ranging from John Steinbeck to James M. Cain. Also included is a previously uncollected story, Memory, the seed of King's forthcoming novel Duma Key. (June)
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